Nishi Shuzo, one of Japan’s oldest family-owned distilling companies, has claimed the highest awards at the Tokyo Whisky & Spirits Competition (TWSC) 2026. The results recognized the firm’s shochu heritage and the emergence of its young whisky brand, Ontake Distillery.
The Dalmore Concludes Cask Curation Series with $47k Madeira Cask Edition
READ THE STORYThe company’s Shōchū Kiccho Hozan was awarded Highest Gold before being named Best of the Best, the top accolade in its category.
Nishi Shuzo was also recognized as Best Distillery.
Ontake Distillery earned further success at the competition. Its Single Cask Strength Japanese Whisky Ontake No.18 received both Highest Gold and the Japan Grand Prix.
The distillery has now collected more than 13 awards across international whisky competitions, a notable total for such a young producer.
Ontake has only recently begun releasing whisky. The brand is built on more than 180 years of distilling expertise at Nishi Shuzo.
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The distillery has gained international attention for its house style, shaped by mountain spring water, long fermentations, and cask selection.
Ontake has become recognized for its use of rare ex-Solera sherry butts. These casks are difficult to source in today’s market but create whiskies with depth even at younger ages.
"We are very honored to receive such awards," said Yoichiro Nishi, CEO of Nishi Shuzo. "They are a reflection of the dedication of our entire team, from the distillers who produce our spirits to the warehouse team who oversee their maturation."
Nishi added: "We are deeply grateful to everyone who has supported us on this journey."
Nishi Shuzo has spent centuries building its reputation as one of Japan’s leading producers. The company positions Ontake as its vision for the future.
The ambition has been to produce a spirit worthy of the house name, rather than simply create another Japanese whisky.
The TWSC is one of Japan’s most prominent spirits contests, judged by industry professionals across whisky, shochu, and other categories.
Japanese whisky continues to command strong global demand. Rare bottlings and single casks have become sought-after among collectors and specialist retailers alike.
While Scotch brands are having to work harder to convert Asian travellers, Indian whiskies are thriving at home airports and eyeing overseas expansion, writes Joe Bates.
Over the past decade travel retail drinks promotions have been transformed. Classic promotional activity in airport shops was predominantly price driven, relying on straightforward discounts, volume-driving deals like buy-one-get-one-free, or the lure of gift-with-purchase offers. These price-driven mechanics still have their place, of course, but there has also been a pivot towards immersive, emotional and experience-driven activations that place storytelling and exclusivity at their core. The love many Millennial and Gen Z travellers have for fun, shareable experiences and discovery has driven a lot of this shift, allied to travel retail’s increasing struggle to offer genuine savings versus the domestic market.
A prime example of this experiential-driven approach was on display at Seoul Incheon airport last month, where Lotte Duty Free opened a Glenmorangie Signet Reserve Dessert Bar in its flagship Terminal 2 liquor store in partnership with Moët Hennessy. The activation paired Glenmorangie Signet Reserve with an exclusive chocolate dessert, Équilibre, developed in collaboration with Choi Kyu-sung, a highly acclaimed South Korean pastry chef who owns Pâtisserie MUR in Seoul, widely celebrated as one of the country’s best patisseries.
Signet Reserve is a limited-production expression that builds on the Glenmorangie Distillery’s award-winning Signet, which is distilled once a year using heavily roasted, stout-style chocolate malted barley. Signet Reserve is finished in ex-Pedro Ximénez sherry casks for an additional 12 months to create a whisky offering suitably dessert-like notes of chocolate truffle, toffee, fudge and tiramisu.
The high-profile activation was part of a series of promotional events to celebrate Lotte Duty Free’s first 100 days of trading at Seoul Incheon after returning to the hub after a three-year absence. In late 2025, a combination of lower spending by mainland Chinese travellers, high rental payments and the weak Korean won forced rival retailers Shinsegae Duty Free and Shilla Duty Free to exit their concessions at the airport, leading the airport authority to launch an emergency re-tender. Lotte was one of the winning bidders, opening 15 stores that offer a range of over 240 brands.
Tough business
Lotte’s return to Incheon and its focus on experiential, cross-category activations is a reminder that business in Asia remains tough, with younger travelling shoppers less swayed by transactional price-driven promotional messaging.
In contrast, the mood music surrounding the Indian airport retail sector, a market valued at US$2.83bn by Businessworld India, is much brighter. The market is buoyed by new mid-sized airports such as Noida International in Uttar Pradesh, which opened in March; the country’s swelling, travel-hungry middle class, now nearly 500 million strong; as well as the Indian government’s decision in February to increase the personal duty free allowance for returning Indian travellers by 50%.
The market’s direction of travel was illustrated well in July when Ospree Duty Free, one of India’s major airport retailers, unveiled a 34-year-old Speyside single malt produced by ABD Maestro, a subsidiary of Allied Blenders & Distillers (ABD).
Priced at around US$11,538, The Collective Limited Edition 34-Year-Old Single Malt was limited to only 60 decanters, distilled at the old Macallan distillery in 1991. Available at the retailer’s stores across the country in airports such as Mumbai, Ahmedabad, Amritsar, Jaipur, Lucknow, Mangaluru, and Thiruvananthapuram, the release will be showcased in a single-bottle display, highlighting its rarity and ultraluxury positioning.
The growing purchasing power of Indian travellers overseas is also apparent in the global retail launch of a new single malt whisky brand, Serpent’s Cask, which is owned by Indian actor and producer Yash (Naveen Kumar Gowda). Born in Karnataka to working-class parents, Yash shot to national fame playing the lead character in the blockbuster KGF action film franchise. Serpent’s Cask was developed over two years, with Yash working closely on the project. The range comprises four expressions: Classic Red Edition, Reserve 18 Year Old, Reserve 21 Year Old, and the pinnacle expression, Reserve 40 Year Old Single Cask Collector Edition, distilled in 1986, Yash’s birth year.
The fledgling Scotch whisky business has been co-founded by Arjun Ahuja, the co-founder of ecommerce platform Coco Cart and luxury and travel retail executive Manishi Sanwal, who has held senior roles at LVMH, Mumbai Duty Free, Flemingo, Indian multinational Adani, and Voiceback, a mobile app for speech-impaired users. The brand’s initial travel retail focus will be airports in India, wider Asia, the Middle East and Europe with a rollout of the Classic, Reserve 18 and Reserve 21 expressions.
Travel retail spirit buyers outside of India should have their radar switched on for such releases. Indian outbound travel is set to surge this year, with Indian government projections suggesting numbers could reach 40-44 million trips, up from 37-39 million in 2025.
This growth, fuelled by a rising middle class with increasing disposable income, improved international air connectivity, and growing demand for international leisure and business travel, cannot be ignored by travel retail businesses struggling in many cases to convert travelling shoppers from other nationalities.
The Speyside-based Balvenie Distillery has announced the launch of a new limited-edition collection, which includes its oldest ever whisky, distilled in 1931.
The Balvenie 1931 Collection comprises three single malt Scotch whiskies, aged 12, 15 and 88 years, all of which illustrate what the distillery describes as the Five Rare Crafts: home-grown barley, traditional floor maltings, coopering, the art of the coppersmiths and the intuitive role of the Malt Master.
This continuing artistry enabled Malt Master Kelsey McKechnie, inspired by the once-in-a-lifetime 88-year-old whisky, to create two further limited-edition expressions, handcrafted in the same spirit, allowing many more consumers of The Balvenie to experience and enjoy them.
1931 was a defining year for The Balvenie. At a time when the wider whisky industry was in turmoil, the distillery was looking to the future with quiet resolve. That year marked the opening of its newly constructed Home Malt Floor, an act that charted a path to its continued success: the genesis of the whisky’s consistently sweet, honeyed character; a catalyst for small, interesting and innovative releases; and a home for The Balvenie’s Malting Team to perfect its timeless craft.
The Balvenie 1931 Collection comprises:
The Balvenie 1931 Collection Eighty-Eight-Year-Old (43.2% ABV) Drawn from cask #239, which is documented in handwritten archives dated 5 March 1931, this whisky was filled into a European oak Sherry butt sourced from Jerez in Spain and tended to by generations of Malt Masters. In 2019, The Balvenie’s current Malt Master, Kelsey McKechnie, intuitively recognised that it had come of age.
The Eighty-Eight-Year-Old is said to deliver notes of honey, subtle mint leaf and buttery fudge, flowing into a whisper of light earthiness intertwined with floral heather tones, damp bracken and worn leather. The aromas carry the quiet elegance of years of maturation. On the palate, it evokes the serene silence of evergreen woods, with rich aromatic oak flowing into creamy toffee, velvety honey and warming spice, slowly revealing deep heather and woodland ferns. It is a quiet reward for years of persistence and patience.
The Balvenie 1931 Collection Fifteen-Year-Old (47.8% ABV) This release was produced using 100% home-grown barley and was initially matured in American oak casks before being finished in ex-Sherry Bodega European oak butts from Jerez.
The Fifteen-Year-Old is said to deliver aromas of sweet cereal and rising earthiness, unfolding into freshly toasted oak and spiced citrus fruits. On the palate, rich oak and sweet vanilla lead into notes of raisin and delicate red berries, carried by a flowing honey sweetness and a nutty finish.
The Balvenie 1931 Collection Twelve-Year-Old (47.5% ABV) Produced using 100% home-grown barley, this release was initially matured in American oak casks before being finished in ex-Sherry Bodega European oak butts from Jerez.
The Twelve-Year-Old is said to deliver warm biscuit aromas, accompanied by honeyed notes of creamy toffee, delicate ginger and aromatic oak. On the palate, a mellow barley sugar sweetness unfolds, warming into crystallised ginger, delicate raisin and spiced richness.
To celebrate The 1931 Collection, The Balvenie has embarked on a landmark collaboration with Daniel Arsham, an artist whose work combines structural experimentation with historical enquiry.
The Eighty-Eight-Year-Old whisky is housed in a hand-blown crystal decanter. Featuring ‘The Balvenie Ball’, inspired by the unique shape of the distillery’s copper stills, the decanter sits as though uncovered at the centre of Arsham’s relic, engraved with 18ct gold gilding and polished to perfection.
Arsham’s presentation of the 1931 Collection Twelve-Year-Old and Fifteen-Year-Old is intrinsically connected to the Eighty-Eight-Year-Old’s sculpture. On the heavily debossed and tactile exterior of the packaging, a green hue emerges from a copper tone, echoing the verdigris patina of the sculpture’s eight layers. Inside, a textured copper-coloured substrate evokes the material language of the distillery.
Commenting on the launch, Kelsey McKechnie, Malt Master, said: “Today marks a seminal moment in The Balvenie’s history as we unveil our oldest whisky, ever. The Balvenie Eighty-Eight-Year-Old Single Malt Scotch Whisky is presented alongside two further exceptional and storied Limited Editions in The 1931 Collection: a Fifteen-Year-Old, made from 100% Home Grown and Home Malted Barley, and a Twelve-Year-Old, made from 100% Home Malted Barley.”
“One morning in 2019 I sampled a whisky that had reached perfection. Exceptional in both substance and significance, I quietly instructed for it to be bottled and locked away for safekeeping. Distilled by The Balvenie’s craftspeople in 1931 and filled into a refill Sherry butt sourced from Jerez, it then lay silently in our warehouse for a staggering eighty-eight years. It is both inspiring and humbling to be the Malt Master to bring this precious liquid to the world.”
Limited to just 17 bottles, The Balvenie 1931 Collection Eighty-Eight-Year-Old will be available exclusively to private clients and investors. The Balvenie 1931 Collection Fifteen-Year-Old and Twelve-Year-Old will be available from selected specialist retailers, for the respective RRP’s of £150.00 and £90.00.
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Octomore’s Super-Heavily Peated Scotch Whiskies Are Back For 2026
Peat lovers, take heed: One of the boldest, smokiest, and most beloved series in Scotch whisky is back. Octomore is here for its 17th series, and as per usual, it's Bruichladdich's smokiest lineup of whiskies—and in some ways, one of its most experimental. And while Octomore 17.1, 17.2, and 17.3 follow familiar patterns, there's a slight twist for 2026. For the first time, bottling 17.4—normally reserved as a distillery exclusive, plus limited markets—is getting U.S. distribution.
Among the distillery's whiskies, Octomore occupies a far end of the Bruichladdich spectrum. The Islay distillery's Bruichladdich-branded line, helmed by The Classic Laddie, is unpeated. Then comes Port Charlotte, a "heavily peated" line with a hallmark 10 year bottling, as well as a now-annual 18 year single malt. And beyond that comes Octomore, a line introduced to bottle "super heavily peated" whiskies, but with a twist: even at relatively young age statements and high proofs, they tend to be far more balanced than one might expect.
(To be clear, the above isn't an exhaustive list. It leaves out numerous special releases, including the recent Greener Still and line of The Botanist gins.)
Octomore's "paradox" is something the brand touts almost constantly, along with the tall and narrow still design that promotes lighter/elegant spirit even when the malt is extremely peaty.
But among paradoxes, tasting is believing. I got early samples of 17.1, 17.2, and 17.3, which hit the market on September 1st. Below are stats on each, along with my thoughts after tasting.
Octomore 17.1
Like virtually all ".1" Octomores, 17.1 is made from 100% Scottish-grown Concerto barley. It's aged for five years in first-fill bourbon barrels, a standard maturation profile for this "reference" release. The malting was done to 81 PPM, and the final product was bottled at 59.7% ABV.
It's certainly smoky on the nose, but even with this straightforward cask profile, 17.1 is a solid example of that paradox. Smoke may be the first thing one detects, but it's far from everything; indeed, peat almost becomes an afterthought. Saline and charred orchard fruit come on strong, followed by tart melon rind and sticky toffee pudding. First sips are notably mild and sweet, headlined by passionfruit custard, saltwater taffy, and boysenberry jam. Peat—again, more chargrilled fruit—builds at the midpalate and beyond, with lingering bright and tart fruits (including gooseberries, of all things!).
Octomore 17.1 carries an MSRP of $204.99.
Octomore 17.2
The ".2" series is generally focused on highlighting various elements of cask aging. This year's release starts with the same distillate as 17.1, which was aged for four years in second-fill French oak previously used for bourbon. It was then finished in first-fill Port barriques. (For comparison, Octomore 16.2 was aged in Oloroso and Bordeaux casks, then finished in Madeira and Portuguese Moscatel barrels.) It was bottled at 59.5%, which makes for a close and fun comparison with 17.1.
They're very different spirits on the nose, with 17.2 immediately bringing a slightly more rubber/pencil eraser note. Red fruits and berries are up next and stay paired with that smoke, which remains differentiated from the charred fruit component on 17.1. French oak spice powers through in the form of clove oil. First sips lean heavily into Port, with various cinnamon-spiced berry preserves and jams. Pepper jelly and smoke—a little less rubbery, a little more peaty—take us home for a finish that drops off a touch earlier than expected. It's not exactly a short finish, and it's far from unsatisfying; the Port influence simply ends quicker than I might have otherwise guessed.
Octomore 17.1 carries an MSRP of $244.99.
Octomore 17.3
The ".3" series is usually the most heavily peated—and most expensive—of the standard Octomore line. This year's 17.3 is no exception. It's distilled from 100% Islay grown Concerto barley, specifically from the distillery's Octomore Farm. That grain is peated to 132.1 PPM. After distillation, the spirit is aged for five years across first-fill bourbon barrels and second-fill casks that previously held Ribera Del Duero, Sauternes, eiswine (ice wine) and syrah. The final blend is bottled at 60.9% ABV.
I love the idea of Octomore's single-origin barley releases. But with the variance in peating and cask profiles, comparing the ".1/.2" and ".3" releases can be apples to oranges.
On the nose, 17.3 starts with a more classically peated profile, at first more grain than fruit forward. Other aromas include salted caramel, cocoa powder, shea butter, pine tar, and black walnut oil. Tart apple and fresh apricot eventually lend more orchard fruit. First sips are somewhat vegetal/herbal, big on semi-savory flavors like fried sage and thyme. Things get markedly sweeter with return sips, creating an interesting combo of peat smoke and mint gum. The finish is long, with lots of salty brine and spiced pear. For a pour that initially caught me off guard, I liked 17.3 more and more the longer I sat with it.
Octomore 17.1 carries an MSRP of $279.99.
Octomore 17.4
The rarest of the annual Octomore releases, ".4" is generally the one I don't get to try ahead of time. These are normally distillery exclusives, with limited international distribution. Fortunately, 17.4 marks the first such edition to get American distribution, albeit in limited (and undisclosed) supplies.
The distillate comes from 100% Scottish-grown Concerto barley, malted to 108.2 PPM. It's matured in first-fill Oloroso casks, then finished in virgin French oak and bottled at 62.6%.
As I didn't get a taste of this one (yet), we'll have to rely on brand tasting notes, which describe "a decadent combination of oak spices and dried fruit."
Octomore 17.4 carries a suggested retail price of $249.99, and bottles launch on October 1.
This article was originally published on Forbes.com
Google News(Scotch/Distillery)|原題:Laphroaig launches its latest Strong Characters Collection release - The Whisky Wire
艾雷島Laphroaig酒廠發布Strong Characters Collection限量系列第二款新酒——Laphroaig 35 Year Old Strong Characters Chapter 2 – Dugald Johnston(43.8% ABV),全球限量5,500瓶。新酒致敬已故傳承者Dugald Johnston,他於1857年接掌酒廠,在艾雷島經濟困頓時期,將產能增加三倍,保護了酒廠獨特風格。酒款在美國白橡木ex-Bourbon桶中熟成,具草莓派、蘋果、櫻桃香氣,伴隨煙燻、香料與葡萄乾風味。建議零售價£880(約新台幣38,000元),自9月28日起於指定零售商販售。
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The Islay-based Laphroaig Distillery, has announced the launch of the second release in its limited-edition Strong Characters Collection, a series that honours individuals whose vision and bold character have shaped the distillery’s legacy.
Laphroaig 35 Year Old Strong Characters Chapter 2 – Dugald Johnston (43.8% ABV) is a single malt Scotch whisky matured exclusively in American white oak ex-Bourbon barrels, offering a rare opportunity to explore how the distillery’s signature style evolves with extended maturation.
Following the first release in the series, a 33 Year Old dedicated to Laphroaig co-founder Donald Johnston, the new expression honours his son, Dugald Johnston, who inherited the distillery at a young age during one of the most challenging periods in Islay’s history.
Dugald patiently learnt the secrets of whisky-making behind the scenes before officially assuming control on his 21st birthday in 1857. Despite Islay facing economic hardship, the effects of famine and a dwindling population, Dugald’s resolve and determination saw Laphroaig grow in size and reputation. Over the following 20 years, Dugald increased production more than threefold while preserving Laphroaig’s unique character.
The latest release is said to reflect Dugald’s patient and steadfast approach, with the spirit shaped by time and focus. It is described as offering notes of freshly baked pastry, apple and cherry on the nose, followed by smoke, spice and raisin on the palate.
Renowned illustrator Bill Bragg has designed the bottle label and packaging, with striking black-and-white illustrations capturing the resilience, hardship and spirit of life at the historic Islay distillery. The award-winning illustrator spent time at the distillery to ensure his drawings reflected the essence of its legacy, as well as the stories of its people.
Commenting on the launch, Dr Calum Fraser, Master Blender, Scotch and Irish at Suntory Global Spirits, said: “There are very few casks of high-aged Laphroaig whisky left, so creating this 35-Year-Old expression was both a privilege and a responsibility. Every cask considered had to contribute something distinctive and offer complexity, sweetness and smoke. The result is a whisky that showcases a softer, more nuanced side of Laphroaig while remaining true to its unmistakable character.”
Kirsteen Beeston, Senior Global Marketing Director, Scotch and Irish at Suntory Global Spirits, added: “Laphroaig’s legacy and success are shaped by remarkable individuals throughout the centuries, and the Strong Characters series invites fans to discover and celebrate these pioneers. Dugald’s story is one of resilience, conviction and leadership that continues to resonate today, making him a fitting subject for this chapter, and the whisky a perfect expression for whisky drinkers to feel connected to Dugald’s legacy.”
Limited to 5,500 bottles, Laphroaig 35 Year Old Strong Characters Chapter 2 – Dugald Johnston, is now available exclusively from JPHA, ahead of being made available from other selected retailers from September 28th, for a RRP of £880.00.
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Google News(Whisky 綜合)|原題:Old Forester is collaborating with an apparel brand to launch a jacket to celebrate its popular Birthday Bourbon - The Manual
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擁有者為肯塔基州Heaven Hill Brands的Black Velvet Distilling Company,位於加拿大萊斯橋的蒸餾廠年產約1000萬公升威士忌,其中95%銷往美國。美國8月22日起對加拿大商品徵收50%關稅,包括酒類,加拿大也宣布反制措施。Black Velvet總經理Bilodeau坦言關稅將短期內產生負面影響,公司前景不確定,但寄望與美國達成貿易協議。廠方計畫10月底或11月初在萊斯橋新增裝瓶產線以供應加拿大市場,希望重返國內市場。
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Black Velvet whisky maker facing 'unsettling turbulence' amid Canada-U.S. trade dispute
A U.S.-based distiller celebrated the 75th anniversary of the Lethbridge-produced Black Velvet whisky brand this week.
But amid the cheery mood at Wednesday's event at the southern Alberta distillery, the most recent round of tariffs has created "unsettling turbulence" for the business, said Claude Bilodeau, vice-president and general manager of Black Velvet Distilling Company, which is owned by Kentucky-based Heaven Hill Brands.
The United States' new 50 per cent tariffs on billions of Canadian exports, including alcohol, came into effect Aug. 22. In response, the federal government has announced dollar-for-dollar counter-tariffs on $27.6 billion worth of U.S. goods, to take effect Tuesday.
The Lethbridge facility makes about 10 million litres of whisky a year, but it's bottled in the United States and 95 per cent of the Lethbridge-produced alcohol ends up being sold south of the border.
"It's definitely going to negatively affect us in the short term, but in the long run we don't know what's going to happen," said Bilodeau about the impact of tariffs.
Bilodeau hopes Canada and the U.S. soon reach a trade deal.
Asked if tariffs would stop Heaven Hill from making whisky in Lethbridge, Bilodeau replied the company has "no idea what the future holds."
"It's certainly our hope that it doesn't," he said.
Black Velvet whisky, originally called "Black Label" when it first came out of the barrel in 1951, has since 1973 been made at the Lethbridge distillery, where Black Velvet Canadian Whisky and Golden Wedding Canadian Whisky are currently produced.
Black Velvet looking to sell more whisky in Canada
By late October or early November, Bilodeau hopes a small bottling line will be added to the Lethbridge distillery, to serve the Canadian market out of the facility.
"The majority of our market right now is the United States, but we are anxious to get active again in Canada," said Bilodeau.
Despite the trade dispute, Bilodeau feels "very good" about the future due to the upcoming reintroduction of bottling in Lethbridge and the launch of new products.
"To be able to offer those products back into the Canadian market is our dream," said Bilodeau. "That will help our brand back in Canada."
Another Canadian whisky maker closely watches U.S.-sourced inputs
Another Canadian whisky maker says it's keeping a close eye on the tariff situation to ensure costs are kept down.
Michael Nychyk, president of High River, Alta.-based Highwood Distillers, owned by Nova Scotia-based Caldera Distilling Inc., said the biggest impact of tariffs on the business are U.S.-sourced inputs — such as bottles and labels — which are either from our southern neighbour or distributed from the United States by foreign companies.
"We're trying to mitigate anything going through the U.S, and we've been quite successful at that," he said.
Years ago, the company set a direction to have imports come directly into Canada rather than through the U.S. "hub of distribution," said Nychyk.
"We've had that tack prior to tariffs, so we were somewhat protected going into it, and ever so more focused now."
The business pulled out of the U.S. market after the devastating June 2013 flood in High River and Calgary, and started producing alcohol again that October with a focus on the Canadian market, said Nychyk.
"The U.S. isn't affecting us in terms of our product movement or sale, because we're so focused on our own side of the border," he said.
The company sees plenty of room to grow within the Canadian market without again starting to sell its products, which include its Centennial and White Owl whiskies, in the United States, said Nychyk.
Editor’s Note: This whiskey was either bought as a sample by The Whiskey Wash or provided to us as a review sample by the party behind it. Per our editorial policies, this in no way influenced the outcome of this review.
Genevieve is a whisky enthusiast from South Africa with a PhD in Philosophy, so she enjoys both drinking and thinking about whisky. She loves tasting new whiskies whenever she gets the chance - so much so that a few years ago she set up a small whisky tasting business, "Kenton on Whisky", in the tiny coastal town where she lives (this also serves as an excellent excuse to grow her selection of whiskies beyond reasonable limits).
What happens when a pharmacist’s 1879 bourbon brand is revived by his great-great-grandson? Discover if Kentucky Owl The Wiseman lives up to its name.
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Google News(Whisky 綜合)|原題:American Whiskey Scholar Certification Program Introduced by Seasoned Industry Professionals - Voice-Tribune
肯塔基波本威士忌名人堂成員 Peggy Noe Stevens、Moonshine University 前主任 Colin Blake,以及威士忌作家 Susan Reigler 三位業界資深人士聯合推出「American Whiskey Scholars」(AWS) 認證課程。該課程分三級,針對威士忌愛好者、餐飲專業人士及零售商設計,涵蓋威士忌風味科學、歷史、食物搭配、調酒等內容。Level 1 已上線,包含 10 個模組;Level 2 預計年底推出,Level 3 於 2027 年春季上線。完成課程並通過考試者將獲得認證與徽章。
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American Whiskey Scholar Certification Program Introduced by Seasoned Industry Professionals
- Information VOICE_TRIBUNE
- 4 hours ago
- 4 min read
Press Release: American Whiskey Scholar Certification Program
Three Levels of Certification for Spirits Enthusiasts, Hospitality Professionals and Retailers
Three of the biggest names in the American Spirits Industry have joined together to introduce American Whiskey Scholars (AWS), an education and certification program designed for enthusiasts interested in increasing their knowledge about whiskey, as well as for spirits enthusiasts, hospitality professionals in restaurants and bars, and retailers wishing to advance their expertise in bourbon, rye, and other American whiskey styles.
With courses led by Peggy Noe Stevens, Kentucky Bourbon Hall of Fame Member, internationally known speaker who has trained thousands of professionals in the spirits industry and founder of The Bourbon Women Association; Colin Blake, former director of Moonshine University and creator of its Stave and Thief Society, and current Vice President at PNSA; and Susan Reigler, author/co-author of seven American whiskey books and adjunct professor of Bourbon, Beer & Spirits at Eastern Kentucky University, AWS is designed to give its participants the knowledge and confidence they need to become whiskey experts behind the bar, at home, and everywhere in between.
AWS is a self-paced, online program providing not only sensory training and history, but also food pairing, lifestyle, fermentation and distillation basics, and cocktail education in its Level 1 courses, which focus on the science and technology of whiskey flavor creation, the history and preparation of whiskey cocktails, and a culinary component. Levels 2 and 3 will include a variety of advanced topics including fermentation, distillation, sensory understanding of common flavor profiles and integration into food and cocktail pairing, master taster training, mash bill design, whiskey still design, and much more. Each level contains both written and video content. Upon completing the program and passing the final exam, all participants receive a certificate and an AWS lapel pin. Individual modules in all three levels are also available for purchase on their own for those curious about one particular topic.
The Level 1 program, which is now live, consists of 10 modules, and is designed to build a solid foundation in American Whiskey.
- It covers the flavor board, key bottle profiles, raw materials, distillation, food pairing, and the history of American whiskey from pre-colonial times through Prohibition.
- Participants will learn to execute a standardized tasting protocol, differentiate between Bourbon, Rye, and Tennessee Whiskey, and articulate tasting notes for 30 key bottles.
- The program is ideal for dedicated bourbon enthusiasts, hospitality professionals looking to elevate their service, or individuals entering the whiskey industry seeking a thorough background and credential.
“We designed this three-tier credentialed program to not only be challenging, but fun and approachable,” said Peggy Noe Stevens, one of the creators behind AWS. “This is the next level and evolution of educational whiskey learning. I’ve watched this industry evolve over the last 30+ years, and our consumers are more educated than ever and craving additional knowledge about spirits. Instead of offering just hard facts, AWS focuses on the history and lifestyle of the industry. This is an entirely different program from anything else on the market. Consumers have higher expectations, and this program satisfies that need.”
Colin Blake, AWS co-creator and instructor, expands, adding, “We designed this program to fill in the gaps of the other programs in the market. There are so many programs out there, and they are all good. But we built this for people who are looking to integrate whiskey into their lives, with a focus on sensory, cocktails, food pairing, and menu building, not to mention a much deeper dive into history. In short, making whiskey knowledge functional instead of academic, even though we cover a lot of academic topics too.”
Susan Reigler, AWS co-creator and instructor, adds, “As a former college biology professor and current college spirits industry professor, it’s been a joy to combine my love of science, bourbon, and teaching into the coursework for AWS. Even Level 1 science topics are quite detailed. The importance of limestone filtered water to whisky making is stressed, along with how and when limestone came to be formed geologically. Part of the challenge, and to be honest, the fun, of teaching is to present information in a way that is interesting and memorable, not stuffy and boring, and we feel we’ve achieved that balance in AWS.”
AWS has been in the design stage for more than a year, with its Level 1 recently launching. Level 2 courses are expected to be ready near the holidays, and Level 3 will launch Spring 2027. Although all AWS classes are online, the team behind it will also customize in-house seminars for corporate teams. Office hours will be available for consumers to ask questions about the program once a month online, starting in October. For more information, visit https://americanwhiskeyscholar.com, follow on Instagram @americanwhiskeyscholar, or email info@americanwhiskeyscholar.com.
About PNSA
Peggy Noe Stevens & Associates is a strategic and brand experiential marketing firm specializing in destination development and professional education and training for the spirits and hospitality industries and is the creator of the three-tiered, credentialed program American Whiskey Scholars. Peggy Noe Stevens is the world's first female Master Bourbon Taster and she spent 17 years at Brown-Forman, where she helped create the Kentucky Bourbon Trail in 1999 and led experiential marketing for brands including Jack Daniel's and Woodford Reserve. In 2008 she launched PNSA, which has since executed over 40+ spirit brand destination experiences for clients such as Beam Suntory, Michter's, and Wild Turkey. She is also the author of three books, including “Which Fork Do I Use with My Bourbon?”
Google News(Whisky 綜合)|原題:William H. Macy’s Love for Whiskey Is No Act - Garden & Gun
奧斯卡提名演員威廉·梅西(William H. Macy)與妻子在科羅拉多州擁有房產,並成為 Woody Creek Distillers 的合夥人。這家手工蒸餾廠位於亞斯本外圍,採用方圓 250 英里內的本地穀物釀製波本威士忌和黑麥威士忌。梅西分享了南方根源對他的影響、對黑麥威士忌的偏好,以及參與年度限量瓶裝 William H. Macy Reserve Rye(2026 年份陳年 10 年)的品酒過程。他預測黑麥威士忌未來將超越波本威士忌成為美國威士忌的主流。
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William H. Macy so convincingly mastered an Upper Midwest accent for his Oscar-nominated role in Fargo that you’d be forgiven for not knowing that he was born in Florida, raised in Georgia and Maryland, and attended college in West Virginia before chasing the acting bug to New York and Hollywood. These days, he and his wife, Felicity Huffman, have a place in Colorado, where a longtime appreciation for whiskey led him to a partnership in Woody Creek Distillers, a craft distillery just outside of Aspen that sources its grains within 250 miles. Woody Creek has been recognized with several awards for its Colorado bourbon and rye, and as the brand’s designated “spokesdude,” Macy was happy to tell us more about the distillery, his Southern roots, and the special rye that bears his name.
Did the time you spent in the South leave an impression on you?
My mom was a Mississippi girl, and we’d drive two days to have Christmas in Pascagoula. Grandmother Overstreet would start cooking three days before we came down, and when we walked in, on her kitchen table there would be a pile of shrimp two-and-a-half-feet high. Nobody had a lot of money, and that was cheaper than hamburger on the Gulf Coast. She made gumbos and jambalayas, and I still have a taste for them. Also I remember that on those visits we’d fill a cigar box with shelled pecans that my mom would roast with butter and salt.
How about Southern figures of speech?
Oh, yes. I find myself saying, “Land sakes alive!” And I’ve become a collector of those lovely passive-aggressive statements by Southern women—“Oh, she does so much with what she’s got.” Here’s a story: When my mom died, my brother Fred and I drove her ashes to Pascagoula. We found the dock she’d played on as a child and walked out to the end to say something. Then this fisherman, this old Mississippi guy, comes up right between us on the railing and puts his gear down to cast. I asked him to please find another spot, and it just got weirder from there. We said goodbye to my mom and dumped the box over the edge just as a gust of wind came and blew it all back into our eyes and mouths. We laughed, and our mother would have laughed.
How did you become a partner in Woody Creek Distillers?
Felicity actually grew up in Woody Creek. We’ve been coming here for thirty-odd years, and about ten years ago we bought her childhood home. Two neighbors, Pat Scanlan and Mark Kleckner, both of them engineers interested in agriculture, started a distillery, and my brother-in-law made a deal with them to grow potatoes in our pasture for their 100 percent potato vodka. That’s how I found out about Woody Creek Distillers, because it’s sort of a treasure of the Aspen area. Six years ago, Mark knocked on the door and said, “Bill, I don’t know if you know this, but we have a distillery.” And I said, “I’m going to stop you right there—I’m in.”
Tell us about Woody Creek’s whiskeys.
Our straight bourbon is a mash bill of 70 percent corn, 15 percent elbon rye, 15 percent malted barley. Our high-rye bourbon is 70 percent corn, 30 percent rye, aged five to seven years. Our straight rye mash bill is 100 percent rye, which is somewhat unusual. When you do that, you have to bring the mash cooker temperature up a little slower. The first time they made it, before they dialed it all in, it overflowed and it took three days to clean it up. There are four or five other 100 percent ryes out there, and no insult to them, but ours is better. Everything that we make is from Colorado-grown ingredients, and all our farmers we’ve known for more than ten years.
Do you prefer rye to bourbon?
Absolutely. After Prohibition, the Southern distilleries and corn growers were ready and came out swinging. The rye whiskey industry was not as robust and has taken a long time to get back going. My family moved from Georgia to western Maryland when I was young, and that was rye whiskey country, where farmers made Monongahela-style rye going back to before the Revolutionary War, before bourbon. Maybe not in my lifetime, but I think rye will overtake bourbon as America’s whiskey.
You’re nudging that along with Woody Creek’s William H. Macy Reserve Rye. How do you select that annual, limited bottling?
The 2026 release has a mash bill of 83 percent rye, 14 percent corn, 3 percent malted barley, and it’s aged for ten years. To pick the best barrels, we gather around a table and do a blind tasting. You get a pad of paper, a glass of water, some crackers, and a spit bucket. Honestly, the first time, I was in so over my head—like in elementary school, I was cribbing off the real experts and making up tasting notes like “avocados” and “tomatoes.” I finally narrowed it down to three and then two, and one had a slight edge, so I chose that one, and to my great relief and pride, three other people did, too. And I’m the movie star, so we put my name on it.
Do you use the spit bucket during those tastings?
Maybe it’s my Southern roots, but I’m just not comfortable with spitting whiskey out. I tried to remind myself to do it, but after a while, I had to take a break to go outside and talk to myself.
Otherwise, how do you like to drink whiskey?
On the rocks. I do drink cocktails every once in a while, and brother, I can make a mint julep out of the 1975 Trader Vic’s bartender’s guide, but the sugar gets to me because I’m trying to keep my boyish figure.
How does having your name on a bottle of fine rye compare to having it on Emmys and SAG awards?
That’s a tough call. It gives me a thrill to see my name on a bottle. I am ready, though, for a couple of more Emmys. I could use them. Tell you what, world, if you’re listening, I’ll trade you for a bottle of William H. Macy Reserve.
Steve Russell is a Garden & Gun contributing editor who also has written for Men’s Journal, Life, Rolling Stone, and Playboy. Born in Mississippi and raised in Tennessee, he resided in New Orleans and New York City before settling down in Charlottesville, Virginia, because it’s far enough south that biscuits are an expected component of a good breakfast.
Google News(Whisky 綜合)|原題:Amrut® Distilleries Launches Amrut Kranthi Single Malt Whisky Celebrating India’s Single Malt Revolution - Wine Industry Advisor
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Reinstein Ranch, an 80-acre property in California’s Livermore Valley featuring an active federal distillery license and aged estate whiskey, has been offered for sale at $8 million (£6m). The property, located at 8201 Highland Road roughly 45 minutes from San Francisco, was established in 1854 and combines an equestrian business, income-producing residences, and a distinctive event setting.
The Dalmore Concludes Cask Curation Series with $47k Madeira Cask Edition
READ THE STORYThe ranch has never been sold. It has passed through five generations and roughly 140 years of Reinstein family stewardship.
Reinstein Ranch was established by J. West Martin, who later served as a Regent of the University of California. Among its historic structures are a draft horse barn dating to about 1860 and a ranch house that is approximately 120 years old.
The property carries a notable agricultural legacy. Thomas D. Carneal III, Martin’s stepson, grew wheat on the ranch that won the gold medal at the Paris World’s Fair in 1900.
Frederick Reinstein arrived from Denmark in 1884, beginning the family stewardship that would continue for five generations.
During Prohibition, a whiskey operation ran in Jackass Canyon using the ranch’s natural spring and wheat grown on the property. Today, Reinstein Ranch holds an active federal TTB distillery license and retains the same soil that produced its gold-medal wheat.
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A future owner may apply to transfer the TTB distillery license as part of their plans. The offering also includes production equipment and an inventory of barrels of estate-grown wheat whiskey aging up to seven years.
The ranch currently boards 30 horses across four barns and has capacity for up to 90. Its equestrian facilities include a covered arena, an outdoor arena, round pens, pastures, and riding trails.
Combined equestrian boarding and tenant income is approximately $400,000 (£315,000) annually.
A 165-year-old event barn has hosted weddings, private events, film productions, and music videos. A 1917 Packard flatbed has been repurposed as a bar.
"Reinstein Ranch is more than acreage. It is a piece of California history with operating businesses, irreplaceable infrastructure, and a story that would be nearly impossible to recreate," said listing agent Scott Piper.
"The next owner is becoming the next steward of what generations have built."
The property is zoned agricultural. Full details are available at ReinsteinRanchForSale.com.
Google News(Scotch/Distillery)|原題:New Era Whiskey Opens Lexington’s First Bourbon Social Club - The Whiskey Wash
New Era Whiskey在肯塔基州列克星頓市開設該市首間結合波本威士忌蒸餾廠、品酒室、禮品店和社交俱樂部的綜合場所,於2026年9月2日正式開幕。酒廠專產原桶強度單桶波本威士忌,酒款名稱仿照報紙頭條設計。社交俱樂部會員可享專屬品酒空間、設備齊全的休閒設施,並每月獲贈一瓶酒款及參與特殊活動邀請。肯塔基州長讚揚此投資有助於當地經濟成長,該州掌控全球95%波本威士忌產量。
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New Era Whiskey has opened Lexington, Kentucky’s first combination bourbon distillery, tasting room, gift shop and social club. The downtown venue welcomed the public for the first time on 2 September 2026.
The Dalmore Concludes Cask Curation Series with $47k Madeira Cask Edition
READ THE STORYFounder Zane Brammell cut the ribbon at the opening ceremony. He was joined by Kentucky Cabinet for Economic Development secretary Jeff Noel, Lexington mayor Linda Gorton, and Visit Lex director of communications Martina Barksdale.
The distillery produces cask-strength, single-barrel bourbons and whiskeys. Its releases carry names styled to mimic newspaper headlines, a nod to the era when newspapers were the primary means of spreading news.
Past bottlings include "Stage Diver," "Frankenfurt," "Lefty" and "The Heart," each paired with bold, colorful label graphics.
Visitors to the venue can browse a tasting room and gift shop, sampling the range and buying branded merchandise. The site also houses a library of past bottlings and new arrivals.
Members of the New Era Social Club gain access to a private tasting space, complete with seating, a kitchen, games and big-screen televisions. Club members also receive one bottle delivered monthly, invitations to special events, and further members-only perks.
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"I’m beyond excited to bring this experience to downtown Lexington," said Brammell. "It’s hard to believe that what started as a hobby for me to help decompress from my healthcare job during COVID-19 has turned into reality."
Kentucky governor Andy Beshear praised the investment. "Kentucky’s signature bourbon industry is one of the many reasons we’ve been able to break our tourism record for economic impact for four straight years," he said.
Noel added: "Bourbon tourism brings visitors from across the world to Kentucky, supporting local restaurants and hotels and driving economic growth for our state."
Gorton said the project "strengthens our local economy, supports jobs, and adds to the steady momentum we’re building in our urban core."
Barksdale said Lexington had "firmly established itself as a premier destination for bourbon tourism."
Kentucky remains the heartland of bourbon production, home to roughly 95% of the world’s supply. The state’s distilleries continue to draw record numbers of visitors along the Kentucky Bourbon Trail.
Further information is available at New Era Whiskey.
Google News(Scotch/Distillery)|原題:Spirits of the Wasatch Wins 4 Medals at 2024 SF Spirits Comp - The Whiskey Wash
美國猶他州鹽湖城精釀威士忌酒廠Spirits of the Wasatch在2024舊金山世界烈酒大賽中獲得4面獎牌。其中Mountain Summit Straight Bourbon Whiskey Finished in Orange Wine Casks獲得金牌(94分),該款酒以橙皮、溫暖香料和香草香氣為特色。另外Amburana Finished Bourbon、Double Barreled Rye和High Mountain Desert Gin則各獲一面銀牌。該酒廠表示這些成績驗證了他們多年來在傳統與創新之間的堅持與實驗成果。
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Spirits of the Wasatch, a craft distillery based in Salt Lake City, Utah, has won four medals at the 2024 San Francisco World Spirits Competition. The haul was led by a Gold medal for its Mountain Summit Straight Bourbon Whiskey Finished in Orange Wine Casks, which scored 94 points.
The Dalmore Concludes Cask Curation Series with $47k Madeira Cask Edition
READ THE STORYThe distillery also claimed three Silver medals for its Amburana Finished Bourbon, Double Barreled Rye, and High Mountain Desert Gin.
The Gold-winning bourbon is finished in orange wine casks. According to the official notes from the brand, it offers "light aromas of orange zest, warm spice, and vanilla," leading into "bright citrus, gentle oak spice, and an inviting sweet entry."
The Amburana Finished Straight Bourbon Whiskey uses one of the more complex finishing woods in modern whiskey. Amburana is a Brazilian hardwood known for its intense spice character.
The brand’s official notes describe the expression as showing "coconut, baking spices, cinnamon, and tropical fruit," finishing with "lingering coconut and warm spice."
The Double Barreled Rye is built on a mash bill of 95% rye and 5% malted barley. It is aged first in charred American oak before being re-barreled into toasted oak casks.
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The brand’s official notes cite "stone fruit, rooibos tea, floral notes, and gentle rye spice," leading to "apple and maple sweetness."
The High Mountain Desert Gin features native botanicals including sage, white pepper, and rosemary. The brand describes the gin as "wild, aromatic, and unmistakably Utah."
Its official notes point to "herbal aromas that lead into notes of coriander and caramel," supported by "a full, silky body and lingering sweetness."
"Our goal has always been to create spirits that reflect both craftsmanship and a sense of place," said the distillery team.
"These releases represent years of refinement, experimentation, and dedication. Earning Gold and Silver medals validates the work we’ve put into developing spirits that are both innovative and deeply rooted in tradition."
The San Francisco World Spirits Competition is one of the largest and most influential spirits contests in the world, first held in 2000.
All four expressions are available at the distillery’s West Valley City tasting room, select Utah retailers, and through regional distribution partners. Limited allocations of the Orange Wine Cask Bourbon and Amburana Finished Bourbon will be released seasonally.
Fielden Whisky kickstarts targeted Asia push
Fielden Whisky is bottling the English countryside and setting sail for eastern shores, reports Rebecca Lo, as the brand prepares to enter Asia-Pacific for the first time.
Premium English rye whisky brand Fielden expands across Asia-Pacific to target both new and serious whisky drinkers keen to discover what’s next. By Rebecca Lo
Fielden Whisky is poised to enter the Asia-Pacific region through targeted expansion in key markets including Hong Kong, Singapore, mainland China, Japan, South Korea and Australia.
Following its acquisition by brand development agency GHF in 2025, the rye whisky producer will work with market strategist Nimbility to build its presence across Asia-Pacific. The focus will be appointment of new importers, distribution partners and targeted initiatives.
Organic premium spirits
Fielden is rooted in the rolling hills of the Cotswolds at The Oxford Artisan Distillery in England, launching in 2012 with a vision of crafting certified organic premium spirits. Its small-batch whisky is made from rye, a resilient crop that requires less agricultural intervention than barley, which most whisky production depends upon. Rye supports more diverse farm ecosystems, yielding grains with distinctive characteristics that add complexity and depth to the finished spirit.
Globally, whisky is coming into it own as a mature category with consumers looking for experiences that showcase memorable flavour profiles and authentic stories associated with the spirit. Asia-Pacific’s markets include affluent novices discovering whisky for the first time alongside experienced enthusiasts keen on exploring beyond Scotch, Bourbon and Japanese whisky styles.
With its contemporary approach to craftsmanship, innovative grain recipes and creative cask maturation, Fielden offers Asia-Pacific a unique, narrative-driven portfolio. The products rolling out across the region include its signature Fielden Rye Whisky—a gold medal winner at the World Whiskies Awards 2025, limited edition Harvest releases, and Fieldnotes collections.
High-end hospitality
Fielden’s expansion will target on-trade venues, specialist whisky retailers, luxury hospitality partners, and experiential consumer activations. In the regional hubs of Hong Kong and Singapore, it will aim to on-board influential whisky connoisseurs through spirits education within high-end hospitality and premium retail settings. In burgeoning premium spirits markets such as South Korea and mainland China, Fielden will tap into their cocktail culture and interest in craft and luxury import brands, respectively.
“Every Fielden bottle reflects the beauty of the English countryside, the diversity of our fields, and our commitment to farming in harmony with nature,” said Fielden CEO Tristram Coates.
“We believe consumers will be drawn to Fielden’s distinctive character and pioneering approach, and we’re delighted to have Nimbility’s expertise and network supporting our growth across the Asia-Pacific region.”
According to Manuel Arce, Nimbility’s spirits and non-alcohol director, “today’s consumers are looking for authenticity, sustainability and new flavour experiences, and Fielden delivers on all three. As awareness grows, we see significant potential for Fielden to become one of the most exciting emerging whisky brands across the region.”
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Google News(Scotch/Distillery)|原題:Benromach Unveils New Flagship Single Malt Scotch - The Whiskey Wash
斯佩塞Benromach酒廠推出新旗艦酒款Benromach 12 Years Old,將於9月3日發售。該酒款採用首次填充雪莉桶熟成,酒精度46%,零售價£45(約台幣1,800元)。風味具豐富果香,帶覆盆子、橙皮與黑胡椒香氣,並保留該廠標誌性的淡雅泥煤香。該酒款與既有的15年與21年份組成完整產品線,代表Benromach自1998年復興以來的重要里程碑。
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Benromach Distillery in Speyside will launch its new flagship expression, Benromach 12 Years Old, on September 3. The single malt is matured exclusively in first-fill Sherry casks and bottled at 46% abv.
The Dalmore Concludes Cask Curation Series with $47k Madeira Cask Edition
READ THE STORYThe release joins the distillery’s signature range alongside the 15 and 21 Years Old. Its flavor profile is rich and fruity, reminiscent of fruitcake, with raspberry and orange notes, cracked black pepper and a touch of smoke, according to official notes from the brand.
Benromach Distillery is located in the historic town of Forres. It was founded in 1898 and acquired by family-owned Gordon & MacPhail in 1993.
The distillery was restored and reopened in 1998, with the aim of reviving a lost Speyside whisky style. Using time-honored methods, Benromach creates whiskies with a delicate hint of smoke, reflecting the character of Speyside single malts of the past.
“This release marks an exciting milestone for the distillery,” said Murdo Mackenzie, Benromach distillery manager. “As our whisky stocks have continued to mature, introducing a 12-year-old single malt has always been part of our long-term vision. It’s allowed us to create a rich whisky with great depth, all while staying true to our distinctive subtly smoky character.”
Mackenzie added: “With an ABV of 46%, we’re able to showcase more of the whisky’s natural character, texture and flavour.”
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Stuart Urquhart, operations director and fourth-generation family member, said the release “feels really special to all of us here at Benromach.”
“At our family-owned distillery, we’ve worked hard to recreate the character that once defined our home here in Speyside – a rich single malt whisky with a delicate hint of smoke – and this spirit does just that,” he said.
Urquhart confirmed that the distillery’s 10-year-old single malt will remain readily available.
Whisky critic Neil Ridley described the expression as “more than just a new age statement for the distillery.”
“For me, peat smoke and Sherry have always been a match-made-in-heaven and this new release is a perfect example of how truly harmonious they can be together,” Ridley said.
Benromach 12 Years Old will retail at £45. It will be available via Benromach’s website, specialist retailers, the distillery visitor center and in selected international markets.
SCOTCH at The Balmoral has unveiled a new experience allowing guests to hand-fill, sign and take home a bottle of the oldest single malt ever released by Deanston. The experience launches this August and is available solely at the Edinburgh whisky bar.
The Dalmore Concludes Cask Curation Series with $47k Madeira Cask Edition
READ THE STORYGuests can fill their own bottle directly from the bar’s own barrel.
The 21-year-old liquid is a full-bodied Highland single malt matured in Palo Cortado sherry casks.
It was selected by SCOTCH Manager Ross Barr and his team of Whisky Ambassadors. The expression is not available anywhere else.
With enough liquid for just 80 bottles, the release offers a limited opportunity for collectors and whisky lovers.
Guests can enjoy the whisky by the dram for $40 (£30) per 25ml serve.
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Alternatively, they can purchase and personalize their own bottle to take away for $335 (£250).
As part of the experience, guests are invited to sign their bottle. This creates a keepsake celebrating one of Deanston’s most notable releases.
"This is an incredibly special opportunity for our guests to engage with whisky in a way that normally only possible in distilleries themselves," said Ross Barr, SCOTCH Manager.
"From hand-filling and signing their bottle to tasting an exceptionally rare liquid, the experience brings a new level of personalisation and exclusivity to SCOTCH."
The bottling further strengthens SCOTCH’s reputation as a destination for rare and collectible whiskies.
Deanston distillery sits in the village of Doune, Stirlingshire, and is owned by Distell International. The site was converted from a former cotton mill in 1965 and produces unchill-filtered single malts.
The Balmoral is a five-star hotel located on Edinburgh’s Princes Street. It forms part of the Rocco Forte Hotels group.
SCOTCH, the hotel’s whisky bar, holds a collection of rare and collectible bottlings and employs a team of Whisky Ambassadors to guide guests.
To enjoy the experience, guests can visit SCOTCH at The Balmoral or email [email protected] for more information.
Google News(Scotch/Distillery)|原題:Meet Michael Henry, the Visionary Rewriting the Rules of Scotch whisky - The Whiskey Wash
Loch Lomond Whiskies 首席調酒師 Michael Henry 來自北愛爾蘭,擁有科學背景與十年啤酒產業經驗。他於 2007 年加入該獨立酒廠,如今將其發展成全球成長最快的單一麥芽威士忌品牌之一。Loch Lomond 因獨特的直頸蒸餾器與長時間發酵打破傳統蘇格蘭威士忌規則,以果香、蜂蜜與淡煙燻為簽名風格。酒廠將於 9 月 7 日舉辦「黃金週」全球慶祝活動,展示其創新製程。
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An interest in science and an inherent desire to explore new possibilities led Michael Henry to start brewing his own beer from home while studying for his biology and chemistry A-levels. That, paired with an upbringing in a Northern Ireland community where whisky is woven into the fabric of everyday life, set him on the path to becoming Master Blender at Loch Lomond Whiskies, one of the most imaginative distillers in Scotch whisky.
The Dalmore Concludes Cask Curation Series with $47k Madeira Cask Edition
READ THE STORYHenry gained his first taste of distilling at Bushmills, his local distillery in Northern Ireland. He worked there during his summer holidays when he was studying Brewing and Distilling at Heriot-Watt University, before taking jobs at the Bass Brewery and Tennent’s Brewery in Glasgow.
“Science definitely influenced my interest in flavour and the many ways it can be created, which has been a constant throughout my career,” he says. “I spent more than a decade in the beer industry after I graduated, where I gained a deep understanding of flavour creation through fermentation and malted barley.”
Henry joined Loch Lomond Whiskies’ blending team in 2007, at a point when the whisky industry was growing fast and he saw the chance to have far more influence over the blending process at an independent distiller.
Today, Loch Lomond Whiskies is one of the fastest-growing single malt brands in the world, leveraging its innovative approach to whisky making to create a diverse and distinctive portfolio. A true trailblazer, it is a distillery driven by genuine determination to do things differently – a style which suits Michael’s own curiosity.
“Working on Loch Lomond Whiskies gives me the freedom to use my imagination and shape the whisky’s flavour from the very moment of distillation,” he says.
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That freedom comes, in part, from Loch Lomond’s willingness to look beyond the conventional Scotch whisky playbook. Rather than being bound by established approaches to distillation, the distillery has built its process around the question of what else might be possible, using its unusual stills, long fermentation times and extensive production capabilities to explore flavour from a different starting point.
“We’re the only Scotch distillery to use both traditional swan neck stills and our unique straight neck stills, and the latter is fundamental to the character of the whisky we create here,” says Henry. “Unlike many distillers, we don’t rely solely on maturation to define the final flavour profile. Instead, we balance the influence of the cask with the character created in our straight neck stills, giving us greater control over the spirit from the outset. It’s this combination that helps create Loch Lomond’s signature style, with its distinctive notes of fruit, honey and soft smoke.”
That versatility is a defining strength of Loch Lomond. Its ability to create an exceptional breadth of new make spirit styles, from peated to unpeated, and from single grain to single malt, is unmatched. Yet for all the variety in the spirit it produces, there is a clear thread running through the portfolio, with every whisky created being unmistakably Loch Lomond.
“It’s what we do best,” he says. “Thinking outside the traditional Scotch playbook, and leveraging our distilling capabilities to create surprising, flavour-forward malts that make people excited to drink.”
For Henry, imagination is therefore more than a personal trait. It is part of the distillery’s approach to whisky making, experimenting with what the equipment can do and putting flavour ahead of convention.
Asked to name his favourite Loch Lomond expression, Henry doesn’t hesitate. “Loch Lomond 12 Year Old Perfectly Balanced would have to be my favourite, as it’s the most representative of the distillery and is the best example of our signature distillery style.”
That signature style can be traced back to the straight neck stills first installed at the distillery in 1966 by its original owner, Duncan Thomas. Six decades on, they remain at the heart of Loch Lomond’s spirit of innovation and exploration.
To mark the milestone, Loch Lomond Whiskies will launch Golden Week from 7 September – a global celebration inviting whisky drinkers around the world to discover the distillery’s boundary-pushing approach to whisky-making for themselves.
Promotions are running all week for Loch Lomond fans. To find out more about Golden Week visit www.lochlomondwhiskies.com
Google News(Scotch/Distillery)|原題:Benromach launches new 12 Year Old flagship single malt - The Whisky Wire
位於蘇格蘭斯佩塞地區的Benromach酒廠推出新旗艦酒款Benromach 12 Year Old(46% ABV),採用首次使用的雪莉桶熟成。新酒款加入酒廠現有的15年和21年系列。據悉具有肉桂麵包香料和葡萄乾風味,帶有蛋糕果香、樹莓、柳橙、黑胡椒和輕微煙燻感。該家族經營酒廠由Gordon & MacPhail於1993年收購,以復興蘇格蘭威士忌傳統風格為目標。新酒款將於本月底上市,建議零售價£45(約台幣1,600元)。
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The Speyside-based Benromach Distillery, has announced the launch of a new flagship release.
Benromach 12 Year Old (46% ABV), which joins the distillery’s signature range alongside its 15 and 21 Year Old expressions, is a single malt Scotch whisky, matured exclusively in first-fill Sherry casks.
This latest release is said to deliver notes of spiced cinnamon buns and stewed raisins on the nose, followed by rich fruitcake, vibrant raspberry, orange, cracked pepper and gentle smoke on the palate.
Located in the historic town of Forres, Benromach Distillery was founded in 1898 and acquired by family-owned Gordon & MacPhail in 1993. The distillery was carefully restored and reopened in 1998, with the aim of reviving a lost Speyside whisky style. Using time-honoured methods, Benromach creates award-winning whiskies with a delicate hint of smoke, reflecting the character of Speyside single malts of years gone by.
Commenting on the launch, Murdo Mackenzie, Benromach Distillery Manager, said: “This release marks an exciting milestone for the distillery. As our whisky stocks have continued to mature, introducing a 12-year-old single malt has always been part of our long-term vision. It’s allowed us to create a rich whisky with great depth, all while staying true to our distinctive, subtly smoky character. With an ABV of 46%, we’re able to showcase more of the whisky’s natural character, texture and flavour.”
Stuart Urquhart, Operations Director and fourth-generation family member, added: “This release feels really special to all of us here at Benromach. At our family-owned distillery, we’ve worked hard to recreate the character that once defined our home here in Speyside – a rich single malt whisky with a delicate hint of smoke – and this spirit does just that. The team has put their heart and soul into making this whisky, and we can’t wait to share it. And lovers of our 10-year-old single malt needn’t worry; it will still be readily available.”
Benromach 12 Year Old will be available later this month via the distillery’s website and specialist retailers, for a RRP of £45.00.
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Google News(Scotch/Distillery)|原題:‘Exceptional’ whisky experience that pairs drams with landscapes launches at luxury Highland hotel - The Scotsman|僅標題
Google News(Scotch/Distillery)|原題:5 Things You Didn’t Know About Glenfiddich - The Whiskey Wash
格蘭菲迪是最具代表性的蘇格蘭威士忌之一。本文揭露其重要地位:1963年威廉格蘭父子公司(William Grant & Sons)首度在蘇格蘭外積極推廣格蘭菲迪,開創了單一麥芽威士忌的市場先河,10年內競爭對手從零增至27家;1887年聖誕節首度產酒,至今瓶身仍印有此年份;迄今仍為格蘭家族獨自擁有,秉持長期經營理念;酒廠名稱源自蓋爾語「鹿谷」,標籤上的公鹿圖案取自1851年著名油畫;酒廠內部自行完成麥芽粉碎、蒸餾、熟成及裝瓶,並於1969年開設蘇格蘭首家威士忌蒸餾廠遊客中心。
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Glenfiddich is one of those whiskies almost everyone recognizes, even people who don’t drink much Scotch. The green triangular bottle is instantly recognizable, and for a lot of drinkers it was the first single malt they ever tried.
The Dalmore Concludes Cask Curation Series with $47k Madeira Cask Edition
READ THE STORYBehind that familiarity, though, is a family business running for well over a century, a distillery built largely by hand, and a decision made in the 1960s that changed the way people around the world buy Scotch. Here are five things worth knowing about Glenfiddich.
1. It Was The First Single Malt Marketed To The World
For most of the 20th century, malt whisky was something that was sold to blenders by the cask. The biggest names at the time were Johnnie Walker, Dewar’s, and Haig, and the distilleries behind them stayed largely anonymous.
In 1963, William Grant & Sons decided to do something different and began actively promoting Glenfiddich outside Scotland, first in England and then further afield. Whisky writer Charles MacLean told VinePair that the company “was very farsighted in starting to promote their single malt,” adding that “they had a 10-year first-mover advantage of the rest of the industry.”
The bottles from that period didn’t actually say ‘single malt’, because there was no established name for the then-brand-new category. So, Glenfiddich was sold first as Straight Malt and then as Pure Malt.
Whatever name was used, once it became clear there was money in selling whisky under a distillery’s own name, other producers followed, and MacLean’s figures show how quickly the shelf filled up. There were 27 single malts on the market in 1980, and 104 by 1989.
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Naming conventions caught up, of course, and today single malt whisky is a universally recognized category.
2. The First Spirit Came Off The Stills On Christmas Day 1887
The company behind Glenfiddich takes its name from William Grant from Speyside. Grant spent around 20 years at Mortlach Distillery in Dufftown, starting as a bookkeeper and working his way up to a managerial role, before deciding to build something of his own a short walk up the road.
Construction started in the summer of 1886, and according to William Grant & Sons, he did the work alongside his nine children and a single stonemason.
He kept costs down wherever he could. The equipment came second-hand from the Cardhu distillery, and combined with the lot, reportedly cost him £119, 19 shillings, and 10 pence. The whole build came in at a little over £700.
Spirit ran from the stills for the first time on December 25, 1887, which is why 1887 still appears on every bottle, and why the date sits next to the stag on the packaging redesign the brand unveiled in 2026.
3. Glenfiddich Remains In The Grant Family
Most of the historic names in Scotch whisky are now owned by large parent companies like Diageo or Pernod Ricard. However, Glenfiddich and William Grant & Sons remain wholly owned by descendants of William Grant.
Ownership like this has practical consequences in an industry where money goes into a cask and doesn’t come out for a decade or more. Speaking to The Spirits Business in 2016, Kirsten Grant Meikle described the family’s thinking in terms of long horizons and said, “we consider ourselves to be custodians of the brand, not owners of the business.”
You can see the same instinct in the physical site. In the 1950s, the family put its own coppersmiths and a working cooperage on the grounds rather than relying on outside contractors, which is an investment that only pays back slowly.
4. The Name Comes From The Glen; The Stag Comes From A Painting
Glenfiddich is the anglicized form of the Gaelic Gleann Fhiodhaich, which William Grant & Sons translates as “valley of the deer.” The distillery sits in the glen of the River Fiddich, known in Gaelic as Fiodhach, so the name is straightforwardly geographical in origin.
The stag on the label came much later. It is drawn from Sir Edwin Landseer’s 1851 painting The Monarch of the Glen, one of the most reproduced images in Scottish art, and scotchwhisky.com dates Glenfiddich’s adoption of it to 1968, five years after the company started selling the whisky abroad.
The painting had already been used to advertise Dewar’s blended whisky and Pears soap before Glenfiddich got to it. The 2026 packaging redesign redrew the stag again and framed it with the founding year.
On pronunciation, plenty of people say “Glen-fid-itch”, but the correct pronunciation is “Glen-fid-ick”, like in ‘kick’.
5. Almost Everything Happens On Site
Glenfiddich runs 16 wash stills and 27 spirit stills, giving it an annual capacity of 21 million liters of pure alcohol as of 2024. It sits alongside The Glenlivet as one of the largest malt distilleries in Scotland by capacity.
For such a huge operation, William Grant & Sons manages to keep most of it within the borders of Dufftown. Glenfiddich is one of only three Scottish distilleries that bottles on site, so mashing, distilling, maturing, and a portion of the bottling all happen within the same boundaries.
Glenfiddich was also early to the idea that tourists might want to see just how whisky is made. The visitor center opened in the summer of 1969 under Charles and Sandy Gordon. It was the first of its kind for the Scotch whisky industry. Whisky tourism is now worth a considerable amount to Scotland, and nearly every distillery of any size runs tours.
Glenfiddich: An Enduring Scotch Whisky Icon
More than sixty years after Glenfiddich went looking for drinkers outside Scotland, the results are visible in every whisky aisle and every distillery parking lot. If you want to go deeper, our guide to the core range covers which bottles give you the most for your money, and our news piece on the 2026 packaging redesign looks at how the brand is presenting itself now.
Google News(Scotch/Distillery)|原題:A Dram with Matt Chambers, Whisky 1901: ‘I’m interested in what makes each cask genuinely distinctive and worth sharing with whisky lovers.’ - Scottish Field|僅標題
(僅標題資訊)Whisky 1901 的創辦人 Matt Chambers 接受專訪,分享其對蘇格蘭威士忌木桶特性的執著。他強調關注每個木桶的獨特風味特徵,並致力於挑選值得與威士忌愛好者分享的優質桶裝威士忌,反映出獨立裝瓶商對品質和個性化風味的堅持。
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Google News(Whisky 綜合)|原題:Replaced By Robots: Find Beauty in Uncertainty on “Whiskey, Bourbon, Gin or Rye" - buzzmusic
(僅媒體報導,非威士忌相關)美國樂團 Replaced By Robots 發行新單曲《Whiskey, Bourbon, Gin or Rye》,這是一首融合另類搖滾與新浪潮風格的民謠搖滾作品,以歌曲標題借喻探討愛情中的猶豫與不確定性。樂團刻意不給歌曲明確結局,呈現真實人生中難以抉擇的感受。製作人 Terry Palmer 在錄音中加入木製滑吉他,增添溫暖氛圍。該曲將收錄於樂團即將發行的迷你專輯《The Experiment #2》中。
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Replaced By Robots Find Beauty in Uncertainty on “Whiskey, Bourbon, Gin or Rye"
- Jennifer Gurton
- 3 hours ago
- 5 min read
Replaced By Robots are leaning into their most human instincts yet. The genre-blurring trio returns with new single “Whiskey, Bourbon, Gin or Rye,” a wandering alternative rock ballad that trades easy answers for the uncomfortable uncertainty of falling in and out of love. The release arrives ahead of the band's forthcoming second mini-record, The Experiment #2, following their debut project, The Experiment #1.
Made up of Goolkasian of The Elevator Drops, multidisciplinary artist Heather Joy Morgan, and Adam Wade of Funeral Party, Replaced By Robots have built their identity around refusing to sit comfortably inside one genre. Atmospheric guitars, new-wave electronics, post-punk edges, and cinematic textures collide throughout their work, creating something that feels caught somewhere between a half-remembered past and an imagined future.
“Whiskey, Bourbon, Gin or Rye” pulls that experimentation into a surprisingly intimate space. Rather than overwhelming the track with production, the trio allows it to breathe, giving its organic rock foundation room to meander as the song wrestles with love, doubt, and the nagging question of whether walking away or staying was ever the right decision. Producer Terry Palmer makes a guest appearance on lap steel, doubling Adam Wade's winding slide-guitar lines and adding another layer of warmth to the track's hazy atmosphere.
There is something compelling about how little “Whiskey, Bourbon, Gin or Rye” tries to resolve. Its nostalgia never becomes imitation, and its simplicity leaves space for the emotional mess underneath to linger. For a band that describes itself as “obsolete bohemians” creating music for “the end of the world & the day after,” their latest release suggests that even at the apocalypse, somebody will still be sitting around wondering whether they screwed up a relationship.
With The Experiment #2 on the horizon, “Whiskey” adds another unpredictable piece to Replaced By Robots' ongoing musical and visual universe, proving that sometimes their strangest experiment is simply letting themselves sound human.
“Whiskey (…Bourbon, Gin or Rye…it’s alright to cry)” is described as your most human creation yet. What happened during the writing process that made you realize you were revealing a different side of Replaced By Robots?
GOOLKASIAN: Have you ever been driving and accidentally gone the wrong way but stubbornly tried to see if you could serendipitously carry on and find a better route only to eventually give up and stupidly backtrack? I left a perfectly great long-distance relationship on Christmas to be with a girl that seemed pretty ok who lived a lot closer to home. Instantly I felt like I had gone the wrong way, but I kept trying to make it work out.
I recall spending my vacation in a horrible snow squall on a frozen lake while Heather was in Sunny Clearwater Beach crying under palm trees. I mean, the lyrics are almost verbatim. It is a song from the heart. "I left you in a moonlit destination with a broken heart and your expectations crushed”
The song explores repeatedly falling in and out of love while never feeling completely certain you made the right decision. Why was that emotional uncertainty something you wanted to leave unresolved rather than give the song a clear conclusion?
Yes, It’s not a Hollywood movie; it’s a relatable real-world experience. Was just thinking it’s like if J. Alfred Prufrock fell in love. He too would always still be wandering and wondering, on the beaches...with peaches.
There’s an interesting contrast between the song’s deeply human subject matter and the larger futuristic, technology-driven world surrounding Replaced By Robots. How important is that tension between humanity and technology to the identity of the project?
So there is a ghost-in-the-machine thing that happened in the recording of this. The song started out as a stripped-down acoustic song, and we started adding more and more music to it. Towards the end, the song really builds into a crescendo with swirling guitars and keys. Adam Wade really was like full of a flurry of colors to add to the ending. So in trying to capture all of this, the computer started to fragment and sputter, and we captured some of that at the end of the recording. It almost sort of digitally falls apart and decays.
It’s almost as if the digital world didn’t know how to handle the overload of actual emotions.
What actually gave me chills was, later, when making the video, I decided I wanted to use a bit of AI video to create a very FAKE beauty pageant instead of being too literal. I used a lot of real footage as well, but really artistically wanted some FAKENESS for contrast.
In the crescendo again, the digital portions added a weird scene where basically the machine people (the Cast) started waving back at me and literally looked sad that the video was ending. Like they were having fun in this beautiful land we’d created and did not want to go back into the machine.
I thought at first I was just crazy from editing too long, but when I showed the video to the band and friends. They all remarked on that part as well. It gives me chills.
Terry Palmer’s lap steel doubles Adam Wade’s slide guitar lines on the track. What did that combination bring to the song, and how did it help you create the warm, slightly surreal atmosphere you were looking for?
Adam wrote all these great guitar parts and the drums and added keys. It’s tough keeping up with him. The slide was a last-minute addition, and so he played it with a nine-volt battery. It was cool, but some parts really skipped out in my rushed recording of it.
Terry doubled it on lap-steel guitar in the studio as he was mixing so it would really come through. All of this adds to the unique mixture of organic and digital decay (not delay) that gives the song an edge.
“Whiskey, Bourbon, Gin or Rye” is part of your upcoming The Experiment #2. How has the idea behind “The Experiment” evolved since the first mini-record, and what new territory are you exploring this time around?
All the records are presented as singles from our cool Mini-EPs, short Albums for modern humans with limited attention spans. The experiment #1 was an introduction from the Laboratory with a varied collection of songs.
The experiment #2 will feature Whiskey and some other songs which also lean a bit more organic and from the heart. Lots of human emotions. The experiment #3 (Spring 2027) is sounding definitively more machine-centric. I LOOOOVE it.
We are not trying to create GOTH, or FOLK, or PUNK. We are just experimenting and having fun being ourselves. We are obsolete bohemians; we look around and play with the wreckage, creating songs and visuals that make us feel alive.
Google News(Scotch/Distillery)|原題:Eden Mill Launches Seasonal Gin Afternoon Tea in St Andrews - The Whiskey Wash
蘇格蘭 Eden Mill 蒸餾廠在聖安德魯斯總部推出季節限定琴酒下午茶。活動自 9 月 6 日起每週日舉辦至年底,每位 £45(約台幣 1,900 元)。體驗包含兩杯 Eden Mill 琴酒雞尾酒、季節性甜鹹點心與當地 Machair Bakery 的新鮮烤餅,並附贈蒸餾廠商店 10% 折扣券。此舉延續夏季三場售罄的下午茶活動,品牌計劃全年推出季節主題活動,強化體驗式觀光策略。
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Scottish distiller Eden Mill has extended its afternoon tea series with a new seasonal Gin Afternoon Tea at its St Andrews distillery. The experience launches on Sunday 6 September and runs every Sunday until the end of the year, priced at $60 (£45) per person.
The Dalmore Concludes Cask Curation Series with $47k Madeira Cask Edition
READ THE STORYThe launch follows three sell-out afternoon tea events held over the summer.
The new experience showcases autumnal flavors through a selection of sweet and savory treats. Each booking includes two Eden Mill gin cocktails.
Dundee’s Machair Bakery returns to create the menu. The bakery will provide cakes, freshly baked scones and preserves.
Guests will also receive a 10% discount voucher for the Eden Mill distillery shop.
Hamish Maclean, senior brand manager at Eden Mill, said: "There’s something pretty special about St Andrews at this time of year, and we wanted to capture that through seasonal flavors. Brilliant local cakes and scones from Machair Bakery are perfectly paired with some exquisite Eden Mill cocktails."
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The distiller confirmed further seasonal events are planned as the year progresses.
"We’ll keep up the seasonal theme through the rest of the year too, from celebrating the Home of Golf in October to something suitably festive as Christmas approaches," Maclean said. "It’s the perfect excuse to spend a cosy Sunday afternoon with us at the distillery."
Bookings are available now via the Eden Mill website.
Eden Mill was founded in 2012 and is based in St Andrews, Fife. The distillery produces gin, whisky and other spirits, and is known for its links to the town widely regarded as the Home of Golf.
The company opened its new distillery and visitor experience in 2024, marking a significant expansion of its operations in the area.
Eden Mill sits within Scotland’s competitive gin category. The country remains the largest producer of gin in the UK, accounting for the majority of the nation’s output.
The distiller’s afternoon tea series forms part of a broader push toward experiential tourism among Scottish producers, as brands seek to drive footfall and deepen consumer engagement at their sites.